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Hoda Kotb and Jenna Bush Hager welcome author Margaret Renkl, who discusses the story behind her book and answers questions from readers at home.”

~An interview with Today

We’re here with Margaret Renkl. She wrote one of the most beautiful books I’ve ever read. It is our December pick, and I loved it.”

~A longer interview with the Jenna Bush Hager for the Today show’s book club

“Late Migrations is a loving ode to family, the Alabama landscape that cradled them, and the natural world.”

~An interview with Alabama Public Television

“I love the book very much. I suppose that doesn’t sound very objective, but boy, it’s a wonderful book.”

~An interview with Margaret Roach for Robin Hood Radio

“For members of the Nashville literary community, Margaret Renkl is something of a hometown hero.”

~an interview with BookPage

“Late Migrations reminds us all of the timelessness of life cycles and that while our gardens and gardening impulses may not be enough to repair everything, they are a very powerful and meaningful something in the right direction.”

~an interview with Cultivating Place for North State Public Radio

“Margaret grew up in Alabama, and her book alternates between observations of the natural world and stories from her life in the South. We talk about her writing for The New York Times, the importance of strong women in her family, the resurgence of the local bookstore, and how she learned to live with loss.”

~the Reckon interview for

Author Margaret Renkl talks to host Mary Laura Philpott about Late Migrations on Nashville Public Television’s A Word on Words

“In Late Migrations Renkl’s lush essays invite readers to come with her to the American South, to her past, to nature she observes with lyricism, and to the challenges of life passages.”

~an interview with The Adroit Journal

“In this poignant and powerful episode, Margaret talks to WPLN’s Emily Siner about documenting complicated families, grieving with animals, and writing a book in 15 minutes.”

~an interview with Nashville Public Radio

“You’ve talked about how your brother did those interviews with your grandmother, but your brother also did the art for the book, and it’s fabulous. In using your grandmother’s exact words in the book reminds me of how the art is constructed. By using a collage method, you’re taking the words of someone else and weaving them into the work itself.”

~an interview with Stephen Usery for WYPL’s Book Talk

“The ordinary becomes filled with wonderment and loss, and we discover that the shadow side of love is part of the life we all share.”

~an interview with Sally Wizik Wills for the American Booksellers Association

“This is memoir by way of adjacencies. This is the story of a tight-knit clan and their red-dirt roads, their abiding dogs, their rainstorms, their birds, their living in-between the dying. This is the story of grief accelerated by beauty and beauty made richer by grief. This is scout bees, bluebirds, ragged foxes, fur-lined bunny nests, and yes, of course, those migrating butterflies. It is the story of a girl, now a woman, who watches it all through the window of her life.”

~an interview with Beth Kephart in The Rumpus